EAM - EUROPE

Communal EAM Wiki Bibliography. Please consult the Guidelines before adding new content!

SOUTHERN EUROPE

Transnational

  • Greenhalgh, Paul, ed.: Modernism in design. London: Reaktion books, 1990.
  • Hirsh, Sharon L.: Symbolism and modern urban society. Cambridge; New York: Cambridge, 2004.
  • O'Pray, Michael: Avant-garde film: forms, themes and passions. London; New York: Wallflower, 2003.
  • Por, Peter: Das Bild in der Lyrik des Jugendstils. Bern: Francke, 1983.
  • Reed, John Robert: Decadent style. Athens, Ohio: Ohio University Press, 1985.
  • Rubin, William S.: Dada, Surrealism and their Heritage. New York: Museum of Modern Art, 1968.
  • Somigli, Luca, & Domenico Pietropaolo, eds.: Modernism and modernity in the Mediterranean world. Brooklyn, NY; Ottawa: Legas, 2006.


Greece

  • Debaisieux, Renée-Paule: Le décadentisme grec: une esthétique de la formation. Paris: L’Harmattan, 1997.
  • Frangoudaki, Anna: Ways to modernity in Greece and Turkey: encounters with Europe; 1850 - 1950. London [u.a.]: Tauris, 2007.
  • Lampropoulos, Vassilis: Literature as National Institution: Studies in the Politics of Modern Greek Criticism. Princeton: Princeton UP, 1988.
  • Layoun, Mary, ed.: Modernism in Greece? Essays on the critcal and literary margins of a movement. New York, NY: Pella Publishing Company, 1990.
  • Tzovias, Dimitris, ed.: Greek Modernism and Beyond: Essays in Honor of Peter Bien. Lanham, Maryland: Rowman and Littlefield Publishers, 1997.


Italy

  • Adamson, Walter L.: Avant-garde Florence: from modernism to facism. Cambridge (Mass.): Harvard university press, 1993.
  • Affron, Matthew, & Mark Antliff: Fascist Visions. Art and Ideology in France and Italy. Princeton: Princeton University Press, 1997.
  • Arrighi, Paul: Le vérisme dans la prose narrative italienne. Paris: Boivin, 1937.
  • Bartram, Alan: Futurist typography and the liberated text. New Haven: Yale University Press, 2005.
  • Baumgarth, Christa: Geschichte des Futurismus. [Reinbek b. Hamburg] Rowohlt [-Tashenbuch-Verlag, 1966], 1966.
  • Bentivoglio, Mirella, & Franco Zoccoli: The Women Artists of Italian Futurism. New York: Midmarch Art, 1997.
  • Benton, Tim, ed.: Italian Futurism. Milton Keynes: Open University, 1983.
  • Berghaus, Günter: Italian futurist theatre, 1909-1944. Oxford: Clarendon Press, 1998.
  • Berghaus, Günter: Futurism and Politics: Between Anarchist Rebellion and Fascist Reaction, 1909-1944. Oxford: Berghahn, 1996.
  • Bergman, Pär: “Modernolatria” e “simultaneità”. Recherches sur deux tendances dans l'avant-garde littéraire en Italie et en France à la veille de la première guerre mondiale. Uppsala: Bonniers, 1962.
  • Blumenkranz-Onimus, Noëmi: La poésie futuriste italienne: essai d’analyse esthétique. Paris: Klincksieck, 1984.
  • Blumenkranz-Onimus, Noëmi: Semiotik des Avantgardetextes: gesellschaftliche u. poetische Erfahrung im italienischen Futurismus. Stuttgart: Metzler, 1980.
  • Bohn, Willard: The other futurism: futurist activity in Venice, Padua, and Verona. Toronto; Buffalo: University of Toronto Press, 2004.
  • Bohn, Willard, ed.: Italian futurist poetry. Toronto; Buffalo: University of Toronto Press, 2005.
  • Braun, Emily: Mario Sironi and Italian modernism: art and politics under fascism. Cambridge: Cambridge university press, 2000.
  • Briosi, Sandro, & Henk Hillenaar, eds.: Vitalité et contradiction de l'avant-garde: Italie-France 1909-1924. Mayenne: Corti, 1988.
  • Carlston, Erin G.: Thinking fascism: Sapphic modernism and fascist modernity. Stanford (Calif.): Stanford university press, 1998.
  • Chiantera-Stutte, Patricia.: Von der Avantgarde zum Traditionalismus: die radikalen Futuristen im italienischen Faschismus von 1919 bis 1931. Frankfurt; New York: Campus, 2002.
  • Clough, Rosa Trillo: Futurism: the story of a modern art movement; a new appraisal. New York: Greenwood Press, 1961.
  • Cresti, Carlo: Firenze 1896-1915. Firenze: Alinea, 1991.
  • Dadoun, Rogers, Pierre Cheymol, Stefano Mecatti, et al.: Les assassins du clair de lune: questions sur le futurisme italien. Marseille: Éd. Via Valeriano, 1992.
  • De Grazia, Victoria: The Culture of Consent: Mass Organization of Leisure in Fascist Italy. Cambridge: Cambridge University Press, 1981.
  • Del Principe, David: Rebellion, death, and aesthetics in Italy: the demons of Scapigliatura. Madison: Fairleigh Dickinson University Press, 1996.
  • Demetz, Peter: Worte in Freiheit: der italienische Futurismus und die deutsche literarische Avantgarde, 1912-1934. München: Piper, 1990.
  • Doordan, Dennis P.: Building Modern Italy: Italian Architecture 1914-1936. New York: Princeton Architectural Press, 1988.
  • Drudi Gambillo, Maria, ed.: After Boccioni: Futurist Paintings and Documents from 1915 to 1919. Roma: Edizioni Mediterranee “La Medusa”, 1961.
  • Eltz, Johanna: Der italienische Futurismus in Deutschland 1912 - 1922: ein Beitrag zur Analyse seiner Rezeptionsgeschichte. Bamberg: Lehrstuhl für Kunstgeschichte u. Aufbaustudium Denkmalpflege an d. Univ. Bamberg, 1986.
  • Etlin, Richard A.: Modernism in Italian architecture, 1890-1940. Cambridge (Mass.): MIT press, 1991.
  • Falkenhausen, Susanne von: Der zweite Futurismus und die Kunstpolitik des Faschismus in Italien von 1922-1943. Frankfurt/Main: Haag und Herchen, 1979.
  • Fellerer, Karl Gustav: Der Futurismus in der italienischen Musik. Brussel: Paleis der Academiën, 1977.
  • Finter, Helga: Semiotik des Avangardetextes: Gesellschaftliche und poetische Erfahrung im italienischen Futurismus. Stuttgart: Metzler, 1980.
  • Forgacs, David, ed.: Rethinking Italian Fascism: Capitalism, Populism and Culture. London: Lawrence and Wishard, 1986.
  • Forgacs, David, ed.: Italian Culture in the Industrial Era, 1880-1910: Cultural Identities, Politics and the Public. Manchester: Manchester University Press, 1990.
  • Frost, Laura: Sex drives: fantasies of fascism in literary modernism. Ithaca (N.Y.): Cornell university press, 2002.
  • Gargus, Jacqueline, ed.: From Futurism to Rationalism: The Origins of Modern Italian Architecture. London: Architectural Design, 1981.
  • Gentile, Emilio: The Sacralization of Politics in Fascist Italy. Cambridge/MA: Harvard University Press, 1997.
  • Gentile, Emilio: The Cult of the Lictor: The Sacralization of Politics in Fascist Italy. Cambridge, MA: Harvard University Press, 1995.
  • Gentile, Emilio: The struggle for modernity: nationalism, futurism, and fascism. Westport, Conn. [u.a.]: Praeger, 2003.
  • Gerhardus, Maly: Kubismus und Futurismus: d. Entwicklung zum autonomen Bild. Freiburg im Breisgau; Basel; Wien: Herder, 1977.
  • Gruber, Klemens: Die zerstreute Avantgarde: strategische Kommunikation im Italien der 70er Jahre. Wien [u.a.]: Böhlau, 1989.
  • Guillén, Mauro F.: The Taylorized beauty of the mechanical: scientific management and the rise of modernist architecture. Princeton: Princeton University Press, 2006.
  • Günzel, Ann-Katrin: Eine frühe Aktionskunst: die Entwicklung der arte-azione im italienischen Futurismus zwischen 1910 und 1922; ein Vergleich mit Happening und Fluxus. Frankfurt am Main [u.a.]: Lang, 2006.
  • Guzzetta, Giorgio: Nation and narration: British modernism in Italy in the first half of the twentieth century. Ravenna: Longo, 2004.
  • Hecken, Thomas: Avantgarde und Terrorismus: Rhetorik der Intensität und Programme der Revolte von den Futuristen bis zur RAF. Bielefeld: transcript, 2006.
  • Hesse, Eva: Die Achse Avantgarde - Faschismus: Reflexionen über Filippo Tommaso Marinetti und Ezra Pound. Zürich: Arche, 1992.
  • Hewitt, Andrew: Fascist modernism: aesthetics, politics, and the avant-garde. Stanford, Calif.: Stanford University Press, 1993.
  • Hinz, Manfred O.: Die Zukunft der Katastrophe: mythische und rationalistische Geschichtstheorie im italienischen Futurismus. Berlin; New York: W. de Gruyter, 1985.
  • Hulten, Pontus: Futurisme et futurismes. Paris: Chemin vert, 1986.
  • Humphreys, Richard: Futurism. Cambridge; New York: Cambridge University Press, 1999.
  • Jochimsen, Margarethe, & Peter Dering: Avanti! Avanti!: Futurismus im deutschen Expressionismus. Bonn: Verein August-Macke-Haus e.V., 1998.
  • Jullian, René: Le futurisme et la peinture italienne. Paris: Société d'Edition d'enseignement supérieur, 1966.
  • Kämper, Dietrich, ed.: Der musikalische Futurismus. Laaber: Laaber, 1998.
  • Kirby, Michael: Futurist performance. With manifestos and playscripts translated from the Italian by Victoria Nes Kirby. New York, Dutton, 1971.
  • Kolleritsch, Otto, ed.: Der musikalische Futurismus: Ästhetisches Konzept und Auswirkungen auf die Moderne. Graz: Universal Edition, 1976.
  • Lemaire, Gérard-Georges: Les mots en liberté: futuristes, Marinetti, Boccioni, Carrà, Cangiullo, Depero, Severini, Soffici, etc, etc– = Parole in libertà. Paris: J. Damase, 0.
  • Lemaire, Gérard-Georges: Futurisme. Paris: Ed. du Regard, 1995.
  • Lista, Giovanni: L’art postal futuriste. Paris: Éditions Jean-Michel Place, 1979.
  • Lista, Giovanni: Les futuristes. Paris: H. Veyrier, 1988.
  • Lista, Giovanni: Le livre futuriste: de la libération du mot au poème tactile. Modena: Panini, 0.
  • Lista, Giovanni: Le futurisme. F. Hazan: Paris, 1985.
  • Lista, Giovanni: Futurisme: manifestes, proclamation, documents. Lausanne: l'Âge d'homme; [Paris]: [diffusion B. Laville], 1973.
  • Lista, Giovanni: Le futurisme, création et avant-garde. Paris: les Éd. de l'Amateur, 2001.
  • Lista, Giovanni: La scène futuriste. Paris: Editions du Centre national de la recherche scientifique, 1989.
  • Lyttelton, Adrian, ed.: Liberal and fascist Italy: 1900-1945. Oxford; New York: Oxford University Press, 2002.
  • Mallach, Alan: The autumn of Italian opera from verismo to modernism, 1890-1915. Boston: Northeastern University Press; Hanover, NH: Published by University Press Of New England, 2007.
  • Malsch, Friedrich Wilhelm: Künstlermanifeste. Studien zu einem Aspekt moderner Kunst am Beispiel des italienischen Futurismus. Weimar: Verlag und Datenbank für Geisteswissenschaften, 1997.
  • Martin, Sylvia: Futurisme. Köln; London; Paris [etc.]: Taschen, 2005.
  • Muthesius, Angelika: Bühne und bildende Kunst im Futurismus: Bühnengestaltungen von Balla, Depero und Prampolini (1914-1929). Heidelberg: [s.n.], 1985.
  • Orban, Clara Elizabeth: The culture of fragments: words and images in futurism and surrealism. Amsterdam: Rodopi, 1997.
  • Perloff, Marjorie: The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture. Chicago, London: University of Chicago Press, 1986.
  • Perrotta, Antonio: The modernist movement in Italy and its relation to the spread of Protestant Christianity. Boston, R.G. Badger, 1929.
  • Pfammatter, Ulrich: Moderne und Macht: “Razionalismo”. Italienische Architekten 1927-1942. Braunschweig: Vieweg, 1990.
  • Pierre, José: Le Futurisme et le dadaïsme. Genève: Édito-service; [Évreux]: [diffusion Guilde du disque], 1981.
  • Plassard, Didier: L'acteur en effigie: figures de l'homme artificiel dans le théâtre des avant-gardes historiques, Allemagne, France, Italie. [Charleville-Mézières]: Institut international de la marionnette; Lausanne: l'Age d'homme, 1992.
  • Poggi, Christine: Inventing futurism: the art and politics of artificial optimism. Princeton: Princeton University Press, 2009.
  • Poggi, Christine: In Defiance of Painting: Cubism, Futurism, and the Invention of Collage. New Haven/CT: Yale University Press, 1992.
  • Poggioli, Renato: The Theory of the Avant-Garde. Cambridge, London: Belknap Press of Harvard University Press, 1968.
  • Ponte, Susanne de: Aktion im Futurismus: ein Versuch zur methodischen Aufarbeitung von “Verlaufsformen” der Kunst. Baden-Baden: Valentin Koerner, 1999.
  • Roche-Pézard, Fanette: L’aventure futuriste, 1909-1916. [Roma]: Ecole française de Rome, 0.
  • Schafer, William Boulware: The Turn of the Century: The First Futurists. New York: Lang, 1995.
  • Schenk, Christiane: Venedig im Spiegel der Décadence-Literatur des fin de siécle. Frankfurt am Main; New York: P. Lang, 1987.
  • Schumacher, Thomas L.: The Danteum: a study in the architecture of literature. Princeton, NJ: Princeton Architectural Press, 1985.
  • Schumacher, Thomas L.: The Danteum: architecture, poetics, and politics under Italian fascism. Princeton, NJ: Princeton Architectural Press, 1993.
  • Shankey, Stephen Richard: Art into Society: The Case of Italian Futurism. Ann Arbor/MI:UMI, 1980.
  • Smith, Terry, ed.: In visible touch: modernism and masculinity. Chicago (Ill.): University of Chicago press, 1997.
  • Somigli, Luca, & Mario Moroni, eds.: Italian modernism: Italian culture between decadentism and avant-garde. Toronto, Ont.; Buffalo: University of Toronto Press, 2004.
  • Somigli, Luca, & Rocco Capozzi, eds.: Italian prose writers, 1900-1945. Detroit: Thomson, Gale, 2002.
  • Stahl, Enno: Anti-Kunst und Abstraktion in der literarischen Moderne (1909 - 1933): vom italienischen Futurismus bis zum französischen Surrealismus. Frankfurt a.M., Berlin u.a.: Lang, 1997.
  • Stauder, Thomas: Wege zum sozialen Engagement in der romanischen Lyrik des 20. Jahrhunderts: Aragon–Eluard, Hernandez—Celaya, Pavese– Scotellaro. Frankfurt am Main; New York: P. Lang, 2004.
  • Taylor, Christiana J.: Futurism: politics, painting, and performance. Ann Arbor, Mich.: UMI Research Press, 1979.
  • Taylor, Joshua Charles: Futurism. New York, Museum of Modern Art; distributed by Doubleday, Garden City, 1961.
  • Thompson, Doug: State Control in Fascist Italy: Culture and Conformity, 1925-43. Manchester: Manchester University Press, 1991.
  • Vittori, Gérard: Anthropologie futuriste. Rennes: les Publications du LURPI, 2001: 35-Rennes: Impr. de l'Université Rennes 2, 2001.
  • Walden, Herwarth, & Umberto Boccioni: Die Futuristen: Umbert Boccioni. Carlo D. Carra. Luigi Russolo. Gino Severini. Berlin: Der Sturm, 1914.
  • Weir, David: Decadence and the making of modernism. Amherst: University of Massachusetts Press, 1995.
  • White, John J.: Literary futurism: aspects of the first Avant-Garde. Oxford: Clarendon Press, 1990.


Portugal

  • Pessoa, Fernando, & Álvaro de Campos: Le Retour des dieux: Manifestes du modernism portugais. Paris: Champ Libre, 1973.


Spain

  • Aubert, Paul: Crise espagnole et renouveau idéologique et culturel en méditerranée: fin XIXe-début XXe siècle. Aix-en-Provence: Publications de l’université de Provence, 2006.
  • Bohn, Willard: The Aesthetics of Visual Poetry 1914-1928. Cambridge: Cambridge University Press, 1993.
  • Bretz, Mary Lee: Voices, silences and echoes: a theory of the essay and the critical reception of naturalism in Spain. London: Tamesis books, 1992.
  • Cirici, Alexandre: 1900 in Barcelona: modern style, art nouveau, modernismo, jugendstil. New York, G. Wittenborn, 1967.
  • Cros, Edmond, ed.: Points de repère sur le modernisme. Montpellier: Centre d'études et de recherches socio-critiques, 1987.
  • Davidson, Ned J.: The Concept of Modernism in Hispanic Criticism. Boulder: Pruett Press, 1966.
  • Epps, Brad & Luis Fernández Cifuentes, ed.: Spain beyond Spain: modernity, literary history, and national identity. Lewisburg [PA]: Bucknell University Press, 2005.
  • Felten, Uta & Volker Roloff, Hrsg.: Spielformen der Intermedialität im spanischen und lateinamerikanischen Surrealismus. Bielefeld: Transcript, 2004.
  • Finkelstein, Haim N.: The screen in surrealist art and thought. Aldershot, Hampshire, England; Burlington, VT: Ashgate, 2007.
  • Geist, Anthony L., ed.: Modernism and its margins: reinscribing cultural modernity from Spain and Latin America. New York: Garland Publ, 1999.
  • Gould, Michael: Surrealism and the cinema: (open-eyed screening). Cranbury, N.J.: A. S. Barnes, 1976.
  • Grant, Kim: Surrealism and the visual arts: theory and reception. Cambridge, U.K.; New York, NY: Cambridge University Press, 2005.
  • Grass, Roland & William R. Risley, eds.: Waiting for Pegasus: studies of the presence of symbolism and decadence in Hispanic letters. Macomb, Ill.: Western Illinois University, 1979.
  • Greeley, Robin Adèle: Surrealism and the Spanish Civil War. New Haven: Yale University Press, 2006.
  • Hammond, Paul: The Shadow and its Shadow: Surrealist Writings on Cinema. London: British Film Institute, 1978.
  • Harris, Derek: The Spanish avant-garde. Manchester, UK; New York: Manchester University Press: Distributed exclusively in the USA and Canada by St. Martin’s Press, 1995.
  • Harrison, Joseph, & Alan Hoyle, eds.: Spain’s 1898 crisis: regenerationism, modernism, post-colonialism. Manchester: Manchester university press, 2000.
  • Havard, Robert, ed.: Companion to Spanish surrealism. Woodbridge, Suffolk, England; Rochester, NY: Tamesis, 2004.
  • Hedges, Inez Kathleen: Languages of revolt: Dada and surrealist literature and film. Durham, N.C.: Duke University Press, 1983.
  • Hess, Carol A.: Manuel de Falla and modernism in Spain, 1898-1936. Chicago (Ill.): University of Chicago press, 2001.
  • Ilie, Paul: The surrealist mode in Spanish Literature: An interpretation of the basic trends from post-romanticism to the Spanish vanguard. Ann Arbor: The university of Michigan Press, 1968.
  • Ilie, Paul: Documents of the Spanish Vanguard. Chapel Hill: University of North Carolina Press, 1969.
  • Jaguer, Edouard: Les mystères de la chambre noire: le surréalisme et la photographie. Paris: Flammarion, 1982.
  • Kuenzli, Rudolf E., ed.: Dada and surrealist film. Cambridge, Mass.: The MIT Press, 1996.
  • Kyrou, Ado: Le surréalisme au cinéma. Paris: Le terrain vague, 1963.
  • La Fuente, Véronique de: Dada à Barcelone, 1914-1918: chronique de l'avant-garde artistique parisienne en exil en Catalogne pendant la Grande Guerre: Francis Picabia, Manolo Hugue, Serge Charchoune, Marie Laurencin. Céret (12 Av. Ariban, 66400): Éd. des Albères, 2001.
  • Léal, Brigitte: Barcelone des avant-gardes. Paris: Hazan: Réunion des musées nationaux, 2001.
  • Lepiorz, Gerhard: Themen und Ausdrucksformen des spanischen Symbolismus, Diss., Tübingen. Düsseldorf: Nolte, 1938.
  • Levick, Melba: Barcelona: architectural details and delights. Barcelona: Ediciones Polígrafa; New York: H.N. Abrams, 1993.
  • Lough, Francis, ed.: Hacia la novela nueva: essays on the Spanish avant-garde novel. Oxford; New York: P. Lang, 2000.
  • Loyer, François: L'art nouveau en Catalogne. Köln; [Paris]: Evergreen-B. Taschen, 1997.
  • Macandrew, Ronald M.: Naturalism in Spanish poetry from the origins to 1900. Aberdeen, Printers, Milne and Hutchinson, 1931.
  • Matthews, John Herbert: The imagery of surrealism. Syracuse: Syracuse university press, 1977.
  • Matthews, John Herbert: Eight painters: the surrealist context. Syracuse, N.Y.: Syracuse University Press, 1982.
  • Matthews, John Herbert: Surrealism and film. Ann Arbor: University of Michigan Press, 1971.
  • Matthews, John Herbert: Surrealism and the Novel. Ann Arbor: University of Michigan Press, 1966.
  • Matthews, John Herbert: Languages of Surrealism. Columbia, MO: University of Missouri Press, 1986.
  • Matthews, John Herbert: Surrealism, insanity, and poetry. Syracuse; New York: Syracuse university press, 1982.
  • Matzat, Wolfgang, Hrsg.: Peripherie und Dialogizität: Untersuchungen zum realistisch-naturalistischen Roman in Spanien. Tübingen: G. Narr, 1995.
  • Mechthild, Albert: Avantgarde und Faschismus: spanische Erzählprosa 1925-1940. Tübingen: M. Niemeyer, 1996.
  • Mendelson, Jordana: Documenting Spain: artists, exhibition culture and the modern nation, 1929-1939. University Park (Penn.): Pennsylvania state university press, 2005.
  • Moldoveanu, Mihaul: Barcelone: la création architecturale contemporaine à l'écoute du modernisme catalan. [Mikrofiche-Ausg.], 1998.
  • Morris, Cyril Brian: Surrealism and Spain 1920 - 1936. London: Cambridge University Press, 1972.
  • Permanyer, Lluís: Barcelone, art nouveau. Paris: A. Michel, 1993.
  • Puig, Arnau: Les avantguardes artístiques catalanes. Barcelona: Barcanova, 1993.
  • Richard de la Fuente, Véronique: Dada à Barcelone, 1914-1918: chronique de l’avant-garde artistique parisienne en exil en Catalogne pendant la grande guerre: Francis Picabia, Manolo Hugue, Serge Charchoune, Marie Laurencin, Olga Sacharoff, Franck Burty, Chana Orloff, Albert Gleizes, K. Céret: Albères, 2001.
  • Robinson, William H., ed.: Barcelona and modernity: Picasso, Gaudí, Miró, Dalí. Cleveland, OH]: Cleveland Museum of Art in association with Yale University Press, New Haven and London, 2006.
  • Rogers, Gayle: Modernism and the New Spain: Britain, Cosmopolitan Europe, and Literary History. Oxford: Oxford University Press, 2012.
  • Salaün, Serge, & Elisée Trenc, eds.: Les avant-gardes en Catalogne. [Paris]: Presses de la Sorbonne nouvelle, 1995.
  • Salaün, Serge, ed.: Les avant-gardes poétiques espagnoles: pratiques textuelles. [Paris]: Presses de la Sorbonne nouvelle, 1995.
  • Schmitz, Sabine: Spanischer Naturalismus: Entwurf eines Epochenprofils im Kontext des “Krausopositivismo”. Tübingen: Niemeyer, 2000.
  • Semprun-Maura, Carlos: Revolution und Konterrevolution in Katalonien. Hamburg, 1983.
  • Siebenmann, Gustav: Die moderne Lyrik in Spanien. Stuttgart: Kohlhammer, 1965.
  • Soufas, Christopher C.: The subject in question: early contemporary Spanish literature and Modernism. Washington, D.C.: Catholic University of America Press, 2007.
  • Soufas, Christopher C.: Conflict of light and wind: the Spanish generation of 1927 and the ideology of poetic form. Middletown, Conn.: Wesleyan University Press, 1989.
  • Stauder, Thomas: Wege zum sozialen Engagement in der romanischen Lyrik des 20. Jahrhunderts: Aragon–Eluard, Hernandez—Celaya, Pavese– Scotellaro. Frankfurt am Main; New York: P. Lang, 2004.
  • Tahara, Keiichi, Philippe Thiébaut, & Bruno Girveau: Art nouveau. Paris: Assouline, 2000.
  • Williams, Linda: Figures of desire: a theory and analysis of surrealist film. Berkeley: University of California Press, 1981 [1992].


Turkey

  • Barillari, Diana: Istanbul 1900: art-nouveau architecture and interiors. New York: Rizzoli, 1996.
  • Bozdoğan, Sibel: Modernism and nation building: Turkish architectural culture in the early republic. Seattle: University of Washington Press, 2001.
  • Frangoudaki, Anna: Ways to modernity in Greece and Turkey: encounters with Europe, 1850 – 1950. London [u.a.]: Tauris, 2007.

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