EAM - EUROPE

Communal EAM Wiki Bibliography. Please consult the Guidelines before adding new content!

Transnational

  • Annegret Heitmann, Karin Hoff, Hrsg.: Ästhetik der skandinavischen Moderne. Frankfurt am Main; New York: P. Lang, 1998.
  • Barz, Christiane: Weltflucht und Lebensglaube: Aspekte der Dekadenz inder skandinavischen und deutschen Literatur der Moderne um 1900. Leipzig: Edition Kirchhof & Franke, 2003.
  • Berg, Hubert van den, Irmeli Hautamäki, Benedikt Hjartarson, Torben Jelsbak, Rikard Schönström, Per Stounbjerg, Tania Ørum, Dorthe Aagesen, eds.:A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925.Amsterdam; New York: Rodopi, 2012.
  • Bohnen, Klaus: Skandinavische “Moderne” und österreichische Literatur: zu einem “Literaturgespräch” an der Jahrhundertwende. Aalborg, 1988.
  • Bohnen, Klaus, Uffe Hansen, & Friedrich Schmöe, Hrsg.: Fin de siècle: zur Naturwissenschaft und Literatur der Jahrhundertwende im deutsch-skandinavischen Kontext. Kopenhagen: W. Fink, 1984.
  • Bäckström, Per (ed.): Centre-Periphery. The Avant-Garde and the Other, Nordlit. Arbeidstidsskrift for litteratur, Det humanistiske fakultet, Universitetet i Tromsø, nr. 21 2007.
  • Czymmek, Götz: Landschaft als Kosmos der Seele Malerei des nordischen Symbolismus bis Munch 1880-1910. Heidelberg: Braus, 1998.
  • Czymmek, Götz, ed.: Landschaft als Kosmos der Seele: Malerei des nordischen Symbolismus bis Munch, 1880-1910. Köln: Wallraf-Richartz-Museum; Heidelberg: Braus, 1998.
  • Edam, Carl Tomas, Niles-Göran Hökby & Birgitta Schreiber, ed.: Scandinavian modernism: Painting in Denmark, Finland, Iceland, Norway and Sweden 1910-1920. New York: Rizzoli, 1989.
  • Faber, Tobias, & Vibe Udsen, eds.: Scandinavian modern houses. volume 1, the spirit of nordic light. Copenhagen: Living architecture, 2003.
  • Garton, Janet, ed.: Facets of European modernism: essays in honour of James McFarlane presented to him on his 65th birthday 12 December 1985. Norwich: J. Garton, University of East Anglia, writing service, 1985.
  • Greenhalgh, Paul, ed.: Modernism in design. London: Reaktion books, 1990.
  • Gunnarsson, Torsten: Impressionism and the north: late 19th century French avant-garde art and the art in the Nordic countries 1870-1920. Stockholm: Nationalmuseum, 2002.
  • Heitmann, Annegret, & Karin Hoff, eds.: Ästhetik der skandinavischen Moderne: Bernhard Glienke zum Gedenken. Frankfurt am Main: P. Lang, 1998.
  • Hirsh, Sharon L.: Symbolism and modern urban society. Cambridge; New York: Cambridge, 2004.
  • Jansson, Mats, Jakob Lothe & Hannu Riikonen, eds.: European and Nordic modernisms. East Anglia: Norvik press, 2004.
  • Kervanto Nevanlinna, Anja, ed.: Industry and modernism, companies, architecture, and identity in the Nordic and Baltic countries during high-industrial period. Helsinki: Finnish Literature Society, 2007.
  • Koskimies, Rafael: Der nordische Dekadent. Eine vergleichende Literaturstudie. Helsinki, Suomalainen Tiedeakatemia, (distr.: Akateeminen Kirjakauppa, 1968.
  • McBride, Patrizia C., Richard W. McCormick, & Monika Zagar, ed.: Legacies of modernism: art and politics in northern Europe, 1890-1950. New York: Palgrave Macmillan, 2007.
  • Nasgaard, Roald.: The mystic north: symbolist landscape painting in northern Europe and North America, 1890-1940. Toronto; Buffalo: Published in association with the Art Gallery of Ontario by University of Toronto Press, 1984.
  • O'Pray, Michael: Avant-garde film: forms, themes and passions. London; New York: Wallflower, 2003.
  • Papadakis, Andreas: Art nouveau: an architectural indulgence. London: Andreas Papadakis Publisher in collaboration with The Victoria & Albert Museum, 2000.
  • Paszkiewicz, Piotr, ed.: Totenmesse: modernism in the culture of Northern and Central Europe. Warsaw: Institute of Art, Polish Academy of Sciences, 1996.
  • Redau, Christiane: Scandinavian Painters: Impressionism and Naturalism at the turn of the century. [S.l.]: Artbook International, 1992.
  • Rees, Ellen: On the margins: Nordic women modernists of the 1930s. Norwich: Norvik Press, 2005.
  • Sprinchorn, Evert: The modern Scandinavian drama 1900-1950. Columbia University, 1960.
  • Ueberschlag, Georges: Le modernisme dans les littératures scandinaves. Villeneuve d’Ascq: Université Charles de Gaulle-Lille III, 1993.
  • Zaloscer, Hilde.: Der Schrei, Signum einer Epoche: das expressionistische Jahrhundert: bildende Kunst, Lyrik und Prosa, Theater. Wien: Edition Brandstätter, 1985.


Denmark

  • Jørgensen, Caspar, & Morten Pedersen: Modernism and rationalization. [Aalborg]: Museum of Northern Jutland [eksp.] ; [Kbh.]: The Heritage Agency of Denmark, 2007.
  • Nørgaard Larsen, Peter: Symbolism in Danish and European painting 1870-1910. [Kbh.]: Statens Museum for Kunst, 2000.
  • Sokoll, Gabriele.: Realismus und Naturalismus als Hauptrichtungen des Modernen Durchbruchs in der dänischen Literatur. Leverkusen: Literaturverlag Norden Mark Reinhardt, 1992.


Estonia

  • Philak, Evi: Eesti Maal. Estonian Painting. Tallinn, 1982.


Finland

  • Becker, Ingeborg: Now the light comes from the North - Art Nouveau in Finland. Berlin: Bröhan-Museum, [2002].
  • Conference of Finnish-Hungarian Historians (3rd: 1988: Tampere, Finland): Finns and Hungarians between East and West: European nationalism and nations in crisis during the 19th and 20th centuries: the proceedings of the III Conference of Finnish-Hungarian Historians in 1988. Helsinki: SHS, 1989.
  • Koja, Stephen, ed.: Nordic dawn: modernism’s awakening in Finland 1890-1920. Munich; New York: Prestel, 2001.
  • Konttinen, Riitta, & Ulrike Wolf-Thomsen: Rendezvous Paris: schleswig-holsteinische und finnische Künstlerinnen um 1900. Heide: Boyens, [1997].
  • Laitinen, Kai: Finnlands moderne Literatur. Hamburg: von der Ropp, 1969.
  • Moorhouse, Jonathan: Helsinki Jugendstil architecture, 1895-1915. Helsinki: Otava Pub. Co., 1987.
  • Ojanerä, Ritta, ed., Timo Huusko, engl. ed., & Oti Alatalo-Pöllänen, ass. ed. (transl., Mike Garner ): Surface and depth: early modernism in Finland 1890-1920. Helsinki: Ateneum art museum, 2001.
  • Reichel, Klaus: Stilkunst in Finnland um 1900. Jyväskylä: Universität Jyväskylä, 1978.
  • Smith, John Boulton: The golden age of Finnish art: art nouveau and the national spirit. Helsinki: Otava, 1976.
  • Stenros, Anne, ed. (transl., Paul Parant): Visions du Finnish design moderne. Helsinki: Ed. Otava, 1999.
  • Wrede, Johan: Modernism in Finland-Swedish literature. London: Academic Press, 1976.


Northern Ireland

  • Bornstein, George: Material modernism: the politics of the page. Cambridge, U.K.; New York: Cambridge University Press, 2001.
  • Böss, Michael, & Eamon Maher, ed.: Engaging modernity: readings of Irish politics, culture, and literature at the turn of the century. Dublin: Veritas, 2003.
  • Castle, Gregory: Modernism and the Celtic revival. Cambridge; New York: Cambridge University Press, 2001.
  • Coughlan, Patricia, & Alex Davis, ed.: Modernism and Ireland: the poetry of the 1930s. Cork, Ireland: Cork University Press, 1995.
  • Hamacher, Stephan: Moderne politische Lyrik in Nordirland: die Unruhen von Ulster im Spiegel der Literatur. Frankfurt am Main [u.a.]: Lang, 1990.
  • Harding, Desmond: Writing the city: urban visions & literary modernism. New York: Routledge, 2003.
  • Heller, Vivian: Joyce, decadence, and emancipation. Urbana: University of Illinois Press, 1995.
  • Kennedy, S. B.: Irish art & modernism, 1880-1950. Belfast: Published for the Hugh Lane Municipal Gallery of Modern Art, Dublin by the Institute of Irish Studies at the Queen’s University of Belfast, 1991.
  • Kenner, Hugh: A colder eye: the modern Irish writers. Baltimore: Johns Hopkins University Press, 1989.
  • Krings, Thorsten: Die Darstellung der Frau in der anglo-irischen Kurzgeschichte der klassischen Moderne. Frankfurt am Main: Lang, 1997.
  • Lücke, Peter: Der imaginierte Mythos: Joyce - Adorno: ein Beitrag zu Theorie und Praxis mythischen Denkens in der Moderne. Trier: WVT, Wiss. Verl. Trier, 1992.
  • Mahaffey, Vicki: States of desire: Wilde, Yeats, Joyce, and the Irish experiment. New York: Oxford University Press, 1998.
  • Miller, Nicholas Andrew: Modernism, Ireland, and the erotics of memory. Cambridge, U.K.; New York: Cambridge University Press, 2002.
  • Rickard, John S.,ed.: Irishness and (post)modernism. Lewisburg, Pa.: Bucknell University Press, 1994.
  • Stubbings, Diane: Anglo-Irish modernism and the maternal: from Yeats to Joyce. Basingstoke [u.a.]: Palgrave, 2000.
  • Turpin, John: Oliver Sheppard, 1865-1941: symbolist sculptor of the Irish cultural revival. Dublin: Four Courts, 2000.
  • Danius, Sara: The senses of modernism: technology, perception, and aesthetics. Ithaca (N.Y.): Cornell university press, 2002.
  • Franks, Jill: Islands and the modernists: the allure of isolation in art, literature, and science. Jefferson, N.C.: McFarland & Co., 2006.
  • Lewis, Pericles: Modernism, nationalism, and the novel. Cambridge: Cambridge university press, 2000.
  • Morrisson, Mark S.: The Public Face of Modernism: Little Magazines, Audiences and Reception, 1905-1920. Madison: University of Wisconsin Press, 2001.
  • Pease, Allison: Modernism, mass culture, and the aesthetics of obscenity. Cambridge: Cambridge university press, 2000.
  • Senior, John: The Way Down and Out: The Occult in Symbolist Literature. Ithaca: Cornell University Press, 1959.
  • Smith, Stan: The Origins of Modernism: Eliot, Pound, Yeats and the Rhetorics of Renewal. Hemel Hempstead: Harvester, 1987.
  • Thacker, Andrew: Moving through modernity: space and geography in modernism. Manchester; New York: Manchester University Press; New York: Distributed exclusively in the U.S.A. by Palgrave, 2003.
  • Witemeyer, Hugh, ed.: The Future of Modernism. Ann Arbor: University of Michigan Press, 1997.


Latvia

  • Grosa, Silvija: Art Nouveau in Riga: taking a walk through Riga in the Art Noveau era. Riga: Jumava, 2003.
  • Kolbergs, Andris: The Story of Riga. Riga: Jana seta, 1999.
  • Krastin̡̡š, Jānis: Sur les traces de l'Art nouveau à Riga. Bruxelles: CIVA, Centre international pour la ville, l'architecture et le paysage, 2003.
  • Spārītis, Ojārs: Architecture of Rīga: eight hundred years mirroring European culture. Rīga: Nacionālais apāgds, 2005.


Lithuania

  • Hell, Cornelius, & Anatas Gailius, Hrsg.: Das Stieropfer. Erzählungen aus Litauen. Salzburg: Otto Müller Verlagsges, 1991.
  • Tapinas, Laimonas: Lithuanian Film Makers. Vintius: Mintis Publishers, 1986.


Norway

  • Per Bäckström & Bodil Børset (eds.), Norsk avantgarde, Oslo: Universitetsforlaget, planned for 2010.
  • Johnsen, William A.: Violence and modernism: Ibsen, Joyce, and Woolf. Gainesville: University Press of Florida, 2003.
  • Krutch, Joseph Wood: “Modernism” in Modern Drama: A Definition and an Estimate. Ithaca: Cornell University Press, 1953.
  • Larsen, Cecil Evva: Attitudes toward social problems in Norwegian fiction and drama from 1870 to 1940. [S.l.]: [C.E. Larsen], 1948.
  • Norberg-Schulz, Christian.: The functionalist Arne Korsmo. Oslo: Universitetsforlaget, 1986.


Sweden

  • Ahlstrand, Jan Torsten, & Sophie Reinhardt, Hrsg.: Schwedische Avantgarde und Der Sturm in Berlin. Osnabrück: Museums- und Kunstverein [u.a.], 2000.
  • Ankersen, Wiebke Annik: “Ein Querschnitt durch unsere Lage”. Die Situation und die scwedische Prosa von Peter Weiss. St. Ingbert: Röhrig, 2000.
  • Bäckström, Per: Aska, Tomhet & Eld. Outsiderproblematiken hos Bruno K. Öijer. Lund: Ellerströms förlag, 2003.
  • Bäckström, Per: Vårt brokigas ochellericke! Om experimentell poesi. Lund: Ellerströms förlag, 2010, forthcoming.
  • Packalén, Małgorzata Anna, & Sven Gustavsson: Swedish-Polish modernism: literature, language, culture: conference held in Cracow, Poland, April 20-21, 2001. Stockholm: Kungl. Vitterhets, historie och antikvitets akademien: Distributed by Almqvist & Wiksell, 2003.
  • Widenheim, Cecilia, ed.: Utopia & reality: modernity in Sweden 1900-1960. New Haven: Yale University, 2002.
  • Wrede, Johan: Modernism in Finland-Swedish literature. London: Academic Press, 1976.
  • Werenskiold, Marit: The concept of expressionism: origin and metamorphoses. Oslo: Universitetsforlaget; New York: Columbia University Press [U.S. distributor, 1984.


United Kingdom

  • Allen, Brian: Towards a modern art world. New Haven [u.a.]: Yale Univ. Press, 1995.
  • Arata, Stephen: Fictions of loss in the Victorian fin de siècle. Cambridge [u.a.]: Cambridge Univ. Press, 1996.
  • Ayers, David: English literature of the 1920s. Edinburgh: Edinburgh University Press, 1999.
  • Baguley, David: Naturalist fiction: the entropic vision. Cambridge [England]; New York: Cambridge University Press, 2005.
  • Barkan, Blazar, & Ronald: Prehistories of the Future: The Primitivist Project and the culture of modernism. Stanford: Stanford University Press, 1995.
  • Barthélemy, Anne: La photographie vorticiste: un aspect de la photographie d'avant-garde. Paris: l'auteur, 1996.
  • Bate, Jackson W.: The Burden of the Past and the English Poet. London: Chatto and Windus, 1971.
  • Beckson, Karl E.: London in the 1890s: a cultural history. New York: W.W. Norton, 1992.
  • Bell, Michael: Literature, modernism and myth: belief and responsibility in the twentieth century. Cambridge: Cambridge university press, 1997.
  • Bell, Michael, ed.: The Context of English Literature: 1900-1930. London: Methuen, 1980.
  • Berghaus, Günther, ed.: Theatre and film in exile: German artists in Britain, 1933-1945. Oxford [England]; New York: Oswald Wolff Books; New York: Distributed exclusively in the US and Canada by St. Martin’s Press, 1989.
  • Bergonzi, Bernard, ed.: The Myth of Modernism and Twentieth Century English Literature. Brighton: Harvester, 1986.
  • Black, Jonathan, et al.: Blasting the future!: vorticism in Britain 1910-1920. London: Philip Wilson; New York: Distributed in North America by Palgrave Macmillan, 2004.
  • Bloom, Clive, ed.: Literature and Culture in Modern Britain, Volume 1: 1900-1929. London: Longman, 1993.
  • Booth, Allyson: Postcards from the trenches: negociating the space between modernism and the First World War. New York: Oxford university press, 1996.
  • Brandes, Georg Morris Cohen: Naturalism in nineteenth century English literature. [New York] Russell & Russell, 1957.
  • Brooke, Stopford Augustus: Naturalism in English poetry. Port Washington, N.Y., Kennikat Press, 1964.
  • Brooker, Peter: Bohemia in London: the social scene of early modernism. Basingstoke: Palgrave Macmillan, 2004.
  • Brown, Dennis: The Modernist Self in Twentieth-Century English Literature. London: Macmillan, 1989.
  • Cazamian, Louis Francçois: Symbolisme et poésie; l’exemple anglais. Neuchâtel, Éditions de la Baconnière, 1947.
  • Chanin, Eileen, Steven Miller & Judith Pugh: Degenerates and perverts: the 1939 Herald exhibition of French and British contemporary art. Carlton, Vic.: Miegunyah Press, 2004.
  • Clarke, Bruce, & Linda Henderson, eds.: Modernism's Fourth Dimensions. University Park: Pennsylvania State University Press, 2006.
  • Coffman, Stanley: Imagism: A Chapter for the History of Modern Poetry. Norman: University of Oklahoma Press, 1951.
  • Comentale, Edward P: Modernism, cultural production, and the British Avant-garde. Cambridge (GB): Cambridge university press, 2004.
  • Conekin, Becky, Frank Mort, & Chris, ed.: Moments of modernity: reconstructing Britain, 1945-1964. London; New York: Rivers Oram Press, 1999.
  • Cork, Richard: Vorticism and abstract art in the first machine age. London: G. Fraser, 1976.
  • Dale, Hilda: La Poésie française en Angleterre 1850-1890: Sa Fortune et son influence. Paris: Sonogy, 1954.
  • Daly, Nicholas: Modernism, romance and the fin de siècle: popular fiction and British culture, 1880-1914. Cambridge: Cambridge university press, 1999.
  • Dasenbrock, Reed Way: The literary vorticism of Ezra Pound and Wyndham Lewis: towards the condition of painting. Baltimore: Johns Hopkins University Press, 1985.
  • Davis, Alex & Lee Margaret Jenkins, ed.: Locations of literary modernism: region and nation in British and American modernist poetry. Cambridge: Cambridge university press, 2000.
  • Davis, Alex, & Lee Margaret Jenkins: Literary Modernism: Region and Nation in British and American Modernist Poetry. Cambridge: Cambridge University Press, 2000.
  • Dean, David: Architecture of the 1930s: recalling the English scene. New York: Published in association with the Royal Institute of British Architects Drawings Collection [by] Rizzoli, 1983.
  • Eadie, William: Movements of modernity: the case of Glasgow and Art Nouveau. London [u.a.]: Routledge, 1990.
  • Eder, Doris L.: Three writers in exile: Pound, Eliot & Joyce. Troy, N.Y.: Whitston Pub. Co., 1984.
  • Edwards, Paul: Blast: Vorticism, 1914-1918. Aldershot, Hampshire, England; Burlington, VT: Ashgate, 2000.
  • Engelberg, Edward: The symbolist poem; the development of the English tradition. New York, Dutton, 1967.
  • Farmer, Albert J.: Le Mouvement esthétique et 'décadent' en Angleterre (1873-1900). Paris: Champion, 1931.
  • Feinendegen, Hildegard: Dekadenz und Katholizismus: Konversion in der englischen Literatur des Fin de siècle. Paderborn: F. Schöningh, 2002.
  • Feldman, Jessica R.: Victorian modernism: pragmatism and the varieties of aesthetic experience. Cambridge, U.K.; New York: Cambridge University Press, 2002.
  • Ferrall, Charles: Modernist writing and reactionary politics. Cambridge (GB); New York: Cambridge university press, 2001.
  • Fletcher, Ian, ed.: Decadence and the 1890s. London: E. Arnold, 1979.
  • Fletcher, Pamela M.: Narrating modernity: the British problem picture, 1895-1914. Aldershot (GB): Ashgate, 2003.
  • Franks, Jill: Islands and the modernists: the allure of isolation in art, literature, and science. Jefferson, N.C.: McFarland & Co., 2006.
  • Freedman, Ariela: Death, men, and modernism: trauma and narrative in British fiction from Hardy to Woolf. London: Routledge, 2003.
  • Frierson, William C: L’influence du naturalisme français sur les romanciers anglais de 1885 à 1900. Paris, M. Giard, 1925.
  • Fyfe, Gordon: Art, power, and modernity: English art institutions, 1750-1950. London: Leicester University Press, 2000.
  • Gage, John: In the Arresting Eye: The Rhetoric of Imagism. Baton Rouge: Louisiana State UP, 1981.
  • Germain, Edward B., ed.: English and American surrealist poetry. Harmondsworth: Penguin books, 1978.
  • Germann, Klaus: Studien zum Naturalismus im englischen Drama. [Stuttgart, Druck: R. Bosch], 1967.
  • Gillie, Christopher: Movements in English Literature 1900-1940. Cambridge and New York: Cambrige University Press, 1975.
  • Gilman, Richard: Decadence: the strange life of an Epithet. New York: Farrar, Strauss, and Giroux, 1979.
  • Goldman, Jane: Modernism, 1910-1945: Image to Apocalypse. Basingstoke (GB): Palgrave Macmillan, 2004.
  • Goldring, Douglas: South Lodge: Reminiscences of Violet Hunt, Ford Madox Ford and the English Review Circle. London: Constable, 1943.
  • Green, Martin Burgess: Children of the sun: a narrative of decadence in England after 1918. London: Constable, 1977.
  • Greiner, Walter & Gerhard, Stilz, eds.: Naturalismus in England 1880-1920. Darmstadt: Wissenschaftliche Buchgesellschaft, 1983.
  • Groth, Peter: Der Vortizismus in Literatur, Kunst und Wissenschaft; Studien zur Bewegung der Men of 1914, Ezra Pound, Wyndham Lewis, Gaudier-Brzeska, T.S. Eliot. Hamburg, H. Buske, 1971.
  • Guy, Josephine M.: The British avant-garde: the theory and politics of tradition. New York [u.a.]: Harvester Wheatsheaf, 1991.
  • Guzzetta, Giorgio.: Nation and narration: British modernism in Italy in the first half of the twentieth century. Ravenna: Longo, 2004.
  • Hamilton, William: The Aesthetic Movement in England. London: Reeves & Turner, 1932.
  • Hansen, Miriam: Ezra Pounds frühe Poetik und Kulturkritik zwischen Aufklärung und Avantgarde. Stuttgart: Metzler, 1979.
  • Harmer, James Barry: Victory in Limbo: Imagism 1908-1917. London: Secker and Warburg, 1975.
  • Harrison, Charles: English art and modernism: 1900 - 1939. New Haven; London: Yale university press for the Paul Mellon centre for studies in British art, 1994.
  • Hertel, Kirsten: London zwischen Naturalismus und Moderne: literarische Perspektiven einer Metropole. Heidelberg: Universitätsverlag C. Winter, 1977.
  • Hesse, Eva: Die Achse Avantgarde - Faschismus: Reflexionen über Filippo Tommaso Marinetti und Ezra Pound. Zürich: Arche, 1992.
  • Hewitt, Andrew: Fascist modernism: aesthetics, politics, and the avant-garde. Stanford, Calif.: Stanford University Press, 2003.
  • Hickman, Miranda B.: The geometry of modernism: the vorticist idiom in Lewis, Pound, H.D., and Yeats. Austin: University of Texas Press, 2005.
  • Higgott, Andrew: Mediating modernism: architectural cultures in Britain. New York: Routledge, 2006.
  • Horstmann, Ulrich: Asthetizismus und Dekadenz: zum Paradigmakonflikt in der englischen Literaturtheorie des späten 19. Jahrhunderts. München: W. Fink, 1983.
  • Hughes, Glenn: Imagism and the imagist: a study of modern poetry. Stanford: Stanford University Press, 1931.
  • Jaffe, Aaron: Modernism and the culture of celebrity. Cambridge: Cambridge university press, 2005.
  • Jones, Peter, ed.: Imagist poetry. Harmondsworth: Penguin Books, 1972.
  • Kappeler, Suzanne: Der Vortizismus: eine englische Avantgarde zwischen 1913 und 1915. Bern; New York: P. Lang, 1986.
  • Kaye, Peter: Dostoevsky and English modernism, 1900-1930. Cambridge: Cambridge university press, 1999.
  • Klein, Jürgen: Literaturtheorie und englischer Modernismus im frühen 20. Jahrhundert. Essen: Verl. Die Blaue Eule, 1991.
  • Kooistra, Lorraine Janzen: The artist as critic: bitextuality in fin-de-siècle illustrated books. Aldershot, England: Scolar Press; Brookfield, Vt., USA: Ashgate Pub, 1995.
  • Laity, Cassandra: H.D. and the Victorian fin de siècle: gender, modernism, decadence. Cambridge; New York: Cambridge University Press, 1996.
  • Levenson, Michael: A Genealogy of Modernism: A study of the English Literary Doctrine, 1908-1922. New York: Cambridge University Press, 1984.
  • Lewis, Pericles: Modernism, nationalism, and the novel. Cambridge: Cambridge university press, 2000.
  • Lister, Eric & Sheldon Williams: Twentieth century British naïve and primitive artists. London: Astragal, 1977.
  • Lofthouse, Richard A.: Vitalism in modern art, c. 1900-1950: Otto Dix, Stanley Spencer, Max Beckmann, and Jacob Epstein. Lewiston, NY: E. Mellen Press, 2005.
  • Macaulay, James: Glasgow School of Art: Charles Rennie Mackintosh. London; New York, NY: Phaidon Press, 2002.
  • MacLeod, Kirsten: Fictions of British decadence: high art, popular writing, and the fin de siècle. Houndmills, Basingstoke, Hampshire [England]; New York: Palgrave Macmillan, 2006.
  • Marshik, Celia: British modernism and censorship. Cambridge: Cambridge university press, 2006.
  • Materer, Timothy: Vortex: Pound, Eliot, and Lewis. Ithaca, N.Y.: Cornell University Press, 1979.
  • McPhail, Helen: On the trail of the Poets of the Great War Robert Graves & Siegfried Sassoon. Barnsley, South Yorkshire: Leo Cooper, 2001.
  • Miner, Earl: The Japanese Tradition in British and American Literature. Princeton; Princeton University Press, 1958.
  • Morrisson, Mark S.: The Public Face of Modernism: Little Magazines, Audiences and Reception, 1905-1920. Madison: University of Wisconsin Press, 2001.
  • Munro, John Murchison: The decadent poetry of the eighteen-nineties. Beirut, Lebanon, American University of Beirut, 1970.
  • Navarette, Susan J: The shape of fear: horror and the fin de siècle culture of decadence. Lexington: University Press of Kentucky, 1998.
  • Otten, Kurt: Der englische Roman vom Naturalismus bis zur Bewusstseinskunst. Berlin: E. Schmidt, 1988.
  • Pamela M. Fletcher: Narrating modernity: the British problem picture, 1895-1914. Aldershot, Hants, England; Burlington, VT, USA: Ashgate, 2003.
  • Parkes, Adam: Modernism and the Theater of Censorship. New York: Oxford UP, 1996.
  • Parsons, Deborah: Theorists of the modernist novel: James Joyce, Dorothy Richardson, and Virginia Woolf. Abingdon [England]; New York: Routledge, 2006.
  • Pease, Allison: Modernism, mass culture, and the aesthetics of obscenity. Cambridge: Cambridge university press, 2000.
  • Peppis, Paul: Literature, politics and the English Avant-garde: nation and empire, 1901-1918. Cambridge: Cambridge university press, 2000.
  • Pinto, Vivian de Sola: Crisis in English Poetry 1880-1940. London: Hutchinson, 1951.
  • Pittock, Murray: Spectrum of decadence: the literature of the 1890s. London; New York: Routledge, 1993.
  • Poggioli, Renato: The Theory of the Avant-Garde. Cambridge, London: Belknap Press of Harvard University Press, 1968.
  • Pondrom, Cyrena: The Road from Paris: The French Influence on English Poetry 1900-1920. Cambridge: Cambridge University Press, 1970.
  • Rainey, Lawrence: Institutions of Modernism: Literary Elites and Public Culture. New Haven, London: Yale University Press, 1998.
  • Rancy, Catherine: Fantastique et décadence en Angleterre, 1890-1914. Paris: Editions du CNRS, 1982.
  • Ray, Paul C.: The Surrealist Movement in England. Ithaca and London: Cornell University Press, 1971.
  • Reed, Christopher: Bloomsbury rooms: modernism, subculture, and domesticity. New Haven: Yale University Press for the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2004.
  • Remy, Michel: Surrealism in Britain. Aldershot, Hants, England; Brookfield, Vt.: Ashgate, 1991.
  • Robinson, Alan: Symbol to vortex: poetry, painting, and ideas, 1885-1914. New York: St. Martin’s Press, 1985.
  • Rodker, John: The Future of Futurism. London: Paul, Trench and Trübner, 1926.
  • Roloff, Andreas: Der Verlagseinband unter dem Jugendstil: zum Wandel bibliophiler und gestalterischer Normen im Einfluss des britischen Druckwesens. Frankfurt am Main: P. Lang, 1994.
  • Rosner, Victoria: Modernism and the architecture of private life. New York, NY [u.a.]: Columbia Univ. Press, 2005.
  • Roston, Murray: Modernist patterns in literature and the visual arts. New York, NY: New York Univ. Press, 2000.
  • Saler, Michael T.: The avant-garde in interwar England: medieval modernism and the London underground. New York: Oxford University Press, 1999.
  • Samuel, Horace Barnett: Modernities. London: Paul, Trench and Trübner, 1914.
  • Senior, John: The Way Down and Out: The Occult in Symbolist Literature. Ithaca: Cornell University Press, 1959.
  • Showalter, Elaine.: Sexual anarchy: gender and culture at the fin de siècle. New York, N.Y., U.S.A.: Viking, 1990.
  • Smith, Stan: The Origins of Modernism: Eliot, Pound, Yeats and the Rhetorics of Renewal. Hemel Hempstead: Harvester, 1987.
  • Spears, Monroe K.: Dionysus and the city: modernism in twentieth-century poetry. New York: Oxford University Press, 1970.
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